nectar izotope presets return to default

You can even bring some of your dry vocal signal back, which will thicken your sound even more. VocalSynth’s mix module at the center of the plugin gives the user the ability to mix and match all or individual modules together. These are great for creating intercom or radio-esque vocal tracks.Īfter adjusting your settings for each module, the real fun begins.

The Compuvox and Talkbox modules incorporate more digital and synthesized mangling characteristics that either can give your vocals more of a robotic sound or a simulated guitar/bass amp. For each module there are various presets to choose from that all shape the underlying oscillation within in the module. Another cool function that iZotope has added to this, the Compuvox, and to the Talkbox modules is the Oscillator presets. The module incorporates several mode, shift, contour and scale functions that shape the form of the signal. Vocoderīy sending the vocal signal through the Vocoder you can achieve more of a sci-fi/resonator effect. Used in tandem with the Voices section of the plugin, you can layer and stack different combinations of voices at different pitches or octaves. The character and humanize knobs add depth to your vocal harmonics. vocal effects such as low pitched voices or chipmunk voices. Not only can you do vocal harmonies with this module but you can also use it for sound design applications, i.e.

If you want to layer your vocal track with harmonies, the Polyvox module utilizes the pitch or in this case formant, character, and humanize functions. It even has a wet/dry knob to the left that affects the overall balance of your processing. With this top section you have the ability to set your vocal harmonies, adjust the strength, set vocals to a customized or preset scale, and even set your harmonics to reflect the quality of vocalist you are using, i.e. Here the dry signal can be layered with numerous harmonics or set to the musical scale of your song. The way VocalSynth works processing chain-wise is first to take the dry vocal signal into it’s pitch correction/preset module (top section of plugin as seen below). Though VocalSynth doesn’t have the traditional EQ and pitch settings that Nectar does, it does allow you to create more unique sounds by layering effects. Unlike Izotope’s Nectar 2 plugin, Vocal Synth has a stripped down interface that focuses on the creative side of vocal FX. VocalSynth gives you the tools to do just that. Whether you are trying to have your vocalist sound like Daft Punk, Michael Jackson, Imogen Heap, or T-Pain, or if you want to sound like an alien robot from Planet X, now you can. iZotope’s VocalSynth ($199) is the new plugin that combines all the classic vocal sounds of the 80s and 90s.

When it comes to vocal processing either for music or post production, engineers and producers have always needed an accessible way of augmenting their vocal tracks.

Nectar izotope presets return to default